Posts tagged with ‘2011’

Ryan Adams … Lucky Now … 2011

Though Ashes and Fire has some stunning acoustic gems and extensive help from the beautiful Norah Jones, Adams doesn’t quite hold up to his pre-hiatus candor and clarity. The album is a without a doubt a folk-rock, easy-listening dream reminiscent of Heartbreaker (his solo debut), but it doesn’t quite have the bite and consistent intensity I’ve come to expect. Adams traded his wild, cocaine-addicted past for his nuptials to Mandy Moore- probably a good life decision but I’m not sure it did much for his music. Still, the album is pretty great and highly recommended.

Wilco … The Whole Love … 2011

Wilco seems to have mastered the concept of consistency; for three or four albums now their alt-rock sound is relatively unchange, but they never quite stagnate. The Whole Love is great, it’s technically proficient, catchy and melodic, and on par with Wilco’s most mellow successes in albums like Summerteeth and A Ghost is Born. Jeff Tweedy knows what he’s doing by this point, and there’s no indication here that he’ll cede his status as a folk-rock deity anytime soon.

Dan Mangan … Oh Fortune … 2011

Hailing from Vancouver, Dan Mangan makes dense, vibrant music that is simultaneously effortless and grating, dark and triumphant. It’s folk music in the strictest sense, but the songs on this album are never quite static, they build up and die down only to rise again for a triumphant fall. With cryptic, personal lyrics and a raw core to its fuzzy, washed-out edges, this album is definitely something new on the scene.

David Lynch … Crazy Clown Times … 2011

This is exactly how I’d expect David Lynch’s music to sound. Super crazy, super clown. It’s definitely got a Twin Peaks vibe to it too- some songs sound really Julee Cruise inspired. He collaborates with Karen O. on track 1 and the album gets progressivley weirder after that. If you’re a fan of David Lynch’s voice and electronic noises, check it out.

Still Corners … Creatures of an Hour … 2011

Slow wave if ever there was such a genre, very orchestral, sweeping pop music. Faded but not distorted; proficient but in some ways it feels absolutely emotionless. An update on the Twin Peaks soundtrack perhaps?